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While Shakespeare was defining English poetry and drama, Dowland was doing the same for English song. After Dowland, the influence of the Italians led to the magnificent achievements of Henry Purcell, arguably the greatest English composer of all time. GRAMMY-winning lutenist Stephen Stubbs, soprano Danielle Reutter-Harrah and violinist Elizabeth Blumenstock, explore the golden age of English song through works by John Dowland, William Lawes, Henry Purcell and others—where time may indeed stand still.

Edward Johnson (fl. 1572–1601): Eliza is the Fairest Queen; John Dowland (1563-1626): Welcome black night; Dowland: Time stands still
Lute solos: Anon.: The Cobbler; Francis Cutting (c.1550–1595/6): Greensleeves; Dowland: Lord Willoughbie’s welcome home; Anon.: Watkin’s Ale
Dowland: Sorrow, stay; Dowland: From silent night
Nicholas Lanier (1588–1666): No more shall meads; William Lawes (1602-1645): To the Dewes; How lilies came white; To sycamores – I’m sick of love
Henry Purcell: She loves, and she confesses; Let me weep
-intermission-
Nicola Matteis (c. 1650-after 1713): Suite for Guitar
Purcell: The Fatal Hour; Bess of Bedlam
Baroque guitar solos: Purcell: Suite from The Fairy Queen and King Arthur: Come if you dare, If love’s a sweet passion, Fairies Dance
Mattheis: Aria Amorosa for violin and baroque guitar
Traditional Scots airs arr. Joseph Haydn (1732-1809): Barbara Allen, Mary’s Dream

Danielle Reutter-Harrah, soprano
Stephen Stubbs, lute & baroque guitar
Elizabeth Blumenstock, violin

Stephen Stubbs’s appearance is sponsored by Larry W. Allen.

Followed by a complimentary wine & waters reception for all ticket holders, on the patio with the musicians.

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Painting featured above (detail): Caravaggio’s “Apollo the Lute Player” c. 1596. Ex-Badminton House, Gloucestershire, UK. Learn about the different versions of this painting, and their disputed attributions, here. View the full image here.